Suspended chord

 ( Chords ) 

A suspended chord (or sus chord) is a musical chord in which the third is replaced by a dissonant tone like a perfect fourth or a major second. The resulting sound is tonally ambiguous. The practice is widespread in popular music.

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Definition The term derives from suspensions in counterpoint, where tones of a previous chord are suspended into the next harmony. The suspension creates a dissonance which must be resolved. A common suspension is a fourth above the root resolving to the third of the chord. Sevenths, ninths, and seconds are also common suspensions.Randel, Don Michael.  The New Harvard Dictionary of Music. Belknap Press, Harvard University Press, 1993. 205f.

As tonality expanded, classical composers began embracing less functional harmony structured in fourths and fifths.Schoenberg, Arnold. Theory of Harmony. Translated by Roy E. Carter. University of California Press. 399–407. In popular music, it also became commonplace to leave suspensions in place without resolving them.

Scruton, Roger.  Understanding Music: Philosophy and Interpretation. Bloomsbury Academic, 2009. 17. Popular musicians further dispensed with the requirement that the suspended note originate in the preceding harmony. Suspended chords are commonly nicknamed "sus chords".Strunk, Steven. "Harmony, jazz." Grove Music Online. Oxford University Press, 2003. In chord notation, a number is added to indicate the suspended note, for instance C^sus4. The absence of the third creates an ambiguous, open sound.Kolb, Tom.  All about Guitar: A Fun and Simple Guide to Playing Guitar. Hal Leonard, 2006. 94.

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Usage

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Popular music Suspended chords are commonly found in folk music and popular music. Keith Richards makes extensive use of suspended chords in his preferred open tuning for guitar.Gill, Chris.  Guitar Legends: The Definitive Guide to the World's Greatest Guitar Players. HarperPerennial, 1995. He found it integral to his songwriting, "I learned there is often one note doing something that makes the whole thing work. It's usually a suspended chord. It's not a full chord, it's a mixture of chords, which I love to use to this day. If you're playing a straight chord, whatever comes next should have something else in it. If it's an A chord, a hint of D. Or if it's a song with a different feeling, if it's an A chord, a hint of G should come in somewhere, which makes a 7th, which then can lead you on."Richards, Keith.  Life. Little, Brown and Company, 2010. 98ff. Joni Mitchell also favored suspended chords because, "so much in my life was unresolved from 'when were they going to drop the big one?' to 'where is my daughter?' that I had to use unresolved chords to convey my unresolved questions". Moeller, Jan Clemens. " Comments about Joni Mitchell's Composing Techniques and Guitar Style", Systematic Musicology: Empirical and Theoretical Studies. Edited by Albrecht Schneider and Arne von Ruschkowski. Peter Lang, 2011. 238.

The Beatles' "The Long and Winding Road" is full of "heartbreaking suspensions", according to Ian MacDonald. "Yes It Is" also relies on suspensions to create a "rich and unusual harmonic motion".MacDonald, Ian.  . Chicago Review Press, 2007. 147, 341. The instrumental opening to The Four Tops’ song "Reach Out I'll Be There" (1966) features an E chord containing a suspended fourth, resolved immediately by being followed by an E minor chord. Holland, Dozier and Holland (1966), Jobete Music Co. Inc Burt Bacharach's "The Look of Love" in the arrangement performed by Dusty Springfield (1967) opens with a clearly audible Dm7 suspension.Burt Bacharach and Hal David. " The Look of Love", The Bacharach and David Song Book. Simon and Schuster, 1970. 62.

Pete Townshend opens "Pinball Wizard" with a suspended four chord that resolves to the tonic. It is one of the signature motifs of Tommy.Townshend, Pete.  The Who's Tommy: The Musical. Pantheon Books, 1993. 120. Songs with prominent suspended chords that do not resolve include The Police's "Every Breath You Take", Shocking Blue's "Venus", and Chicago's "Make Me Smile". Noel Gallagher relies heavily on suspended chords in Oasis songs like "Champagne Supernova" and "Wonderwall". The Oasis Collection. Guitar Tab edition. Wise Publications, 2010.

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Jazz A common suspended chord in jazz combines the Supertonic and dominant chords into one sonority: V^9sus4.Humphries, Carl. The piano improvisation handbook. Hal Leonard, 2002. 353.

Red Garland ends his piano introduction to "Bye Bye Blackbird" on the Miles Davis album 'Round About Midnight with a series of suspended chords.Sher, Chuck. The New Real Book, Volume 2. Petaluma: Sher Music, 1991. 35.

Suspended chords are a common feature of modal jazz, which emerged in the 1960s. McCoy Tyner played them frequently.Kim, Yeeun. A Legacy of McCoy Tyner from 1962 to 1967: Chick Corea and Kenny Kirkland’s Intervallic Improvisational Tendencies with Pentatonic and Octatonic Scales from 1968 to 1996. University of North Texas, 2024. 13–23. Herbie Hancock described the structural chord of his 1965 tune "Maiden Voyage" as "a 7th chord with the 11th on the bottom—a 7th chord with a suspended 4th". Instead of resolving the way such a tall chord would in functional harmony, Hancock simply transposes the chord up a minor third, "It doesn't have any cadences; it just keeps moving around in a circle."Kernfeld, Barry Dean.  What to Listen for in Jazz. Yale University Press, 1995. 68.

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See also

• Added tone chord
• Sixth chord

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Further reading

• Levine, Mark.  The Jazz Piano Book. Sher Music Company, 2011.

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